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Jonathan Ross
October 2007
So, Lucy, your character is just called Marian?
Yes.
Not Maid Marian. Is that significant?
Um, it’s significant because it’s one of the things which
has been done to make sure that the program has more of a modern
feel as opposed to, oh, it’s the same old—we’ve seen this, been
there, done that. She’s not that kind of character, anyway. She’s
quite feisty and self-assured and independent.
Is she getting involved in any of the action herself, kind of fight along?
Yes, she does. She’s been trained by her dad to be able to
fight if the situation arises where she needs to. And there are,
there are sort of a few episodes where she gets a bit of the action
and, or I do.
So Marian gets to kick a little bit of backside?
Yeah, she does. A little bit of bottom.
What’s your relationship, um, like between your Marian and the new Robin?
When he comes back, she is not, yeah, kind of, “Yeah, come into my
arms and we’ll be boyfriend and girlfriend and live happily ever after.”
She’s very annoyed that he left her for that long, you know, you can’t
send letters from the Holy Land, you know, you can’t, you’re at war, you
can’t really get in contact. And, um, and so she’s kind of having none
of his charming, “Oh, yes, I’m back, darling, you’re looking great.”
‘Cause she’s grown up how, I mean, sort of five or six years, and those
are the years which, sort of, young girls really, kind of, blossom in.
So he’s, yeah, so he’s like, “Yeah, alright, I’ll have some,” and,
you know, she, she’s not interested. Well, she appears to not be
interested, anyway, with the first few episodes ‘cause he’s wronged
her. He’s gone off and left her.
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