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Maid in England (Vogue)
October 2006
Starlet Lucy Griffiths is poised to rise of obscurity this month
when she makes her television debut as Marian in BBC1’s
lavish Robin Hood. Forget men in tights: this take on the
age-old tale, produced by Dominic Minghella, has been described
as Spooks meets Pirates of the Caribbean, and is designed to
advance the trend for family teatime TV.
As Maid Marian and her Merry Men, a Nineties BBC series that saw
Marian leading the motley band, this latest
incarnation of Marian is a thoroughly modern
miss. Griffiths describes her character as a bit of a
clown: “not your average fairytale princess”. The
“Maid” has been dropped in line with her shiny new
image, and you get the feeling that she keeps Robin,
played by brooding newcomer Jonas Armstrong, on his
toes. “Marian’s definitely got her own ideas about
how Robin should be doing things,” she laughs.
It’s easy to see how Griffiths won the role. Quietly composed,
with porcelain skin and long dark hair, she has a suitably
medieval air. At just 19, she’s remarkably unfazed by her
imminent burst onto our screens and took the prospect of seven
month’s filming in Hungary in her stride. She compares the experience
of being the only woman on set to having “a big set of charismatic
brothers”.
Griffiths began her career as Annie at the Dome theatre
in her hometown, Brighton, aged 11. Then, instead of
choosing university or drama school, she worked with the National
Youth Music Theatre. Their production of The Man of the Mode at
Brighton’s Pavilion Theatre, in which Griffiths played
an eccentric 40-year-old, was the breakthrough that led to
her audition for Robin Hood.
Clearly, acting comes naturally to her—along with a talent
for accents. So what would her dream role be? “Elizabeth Bennet
in Pride and Prejudice,” she beams without hesitation. Spoken
like a true English rose.
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